Domenique Dumonts fourth album, Deux Paradis, arrives like the three that came before it with an air of mystery and wonder. This is dance music for inner worlds rituals, revelations and reveries.
Deux Paradis is a ten-track song cycle that leads the listener through the rhythm of a day, the bloom and fade of a relationship, or even the stages of a life. It begins with a song about waking up the candy-striped dub of Enchantia and traces the suns arc with the pixelated reggae of La Vie Va and the sensuous rush of Amants Ennemis. As night falls, the songs take on a twilight quality in the shimmering pop of The Order of Invisible Things and the seductive pulse of Visages Visages (a subtle nod to the Desireless classic). Theres also the baroque swoon of Deux Paradis and the soft exotica of Visiteur de la Nuit. Bolder and richer than before, its vintage Domenique Dumont timeless and romantic, yet laced with an unplaceable sense of longing, like in an ric Rohmer film.
After the instrumental film score People On Sunday (Leaf, 2020) composed solo by Arturs Liepins singer Anete Stuce returns to Domenique Dumont, bringing her inimitable joie de vivre. Deux Paradis
completes a trilogy of releases alongside Comme a (2015) and Miniatures De Auto Rhythm (2018) on the Antinote label.
Deux Paradis took shape between 2022 and the end of 2024 in studios in Riga and Paris, and on the Estonian island of Hiiumaa.
credits
released June 20, 2025

Antinote records 2025
Domino Publishing
Written and produced by Arturs Liepins and Anete Stuce
Mastered by M.B.